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PSD's Arrowhead Point glows at dusk. A large bay window projects beyond the main mass of the house and contains a playroom at the lower level and a bedroom at the first floor.

Arrowhead Point

Arrowhead Point deploys a horizontally-stretched roof shape. This is a house that is inspired by the classic Shingle Style. It is located on a peninsula with vast views of surrounding marshlands, cove, ocean, and even a historic lighthouse. The roof forms a skyward pointing triangle, while large overhangs accentuate horizontal reach. Together these suggest an “arrowhead” that the original Wampanoag inhabitants of the land might have crafted and are still occasionally unearthed locally.

The entry is framed by flattened columns and
an abstracted fan light—formal enough to suggest traditional classicism but casual enough to welcome visitors to a family beach house. It is at once historical and contemporary.
Seaside
Scope of Work Architecture, Landscape Architecture, Construction
Finished Space Above Grade 3,833
Photography Brian Vanden Brink
The garage is hidden behind the band of five windows on the right of the façade. While the front door is off-center of the grand gable, it is roughly centered on the finished space of the house.

The entry is unexpectedly situated to a far end of the gable, beyond which a wing projects.

The entry location provides a counterbalance to the strong central focus of the gable and the bay window that occurs beneath it. It also helps integrate the bedroom wing with the rest of the house. A commanding water view is visible from the front door. The entry foyer spans two stories, with multiple sunlight exposures (including from a small but important dormer window above), and includes stairs leading through ascending shiplap cut-out openings, and dramatic ceiling angles.

The grand, complex, imaginary spaces depicted by the 18th Century Italian engraver Giovanni Batista Piranesi were inspiration for an entry hall on a comparatively minuscule scale.
Shiplap paneling covers the entry/stair hall walls and columns between it and the living space. The paneling and flat faces call the columns out as both columns and segments of wall.
A vestibule with opposing curved walls (a spatial idea borrowed from the great English architect of the late 19th Century, Edwin Lutyens) leads to the kitchen.

Flat interior columns frame the opening to the living room, and a vestibule with opposing curved walls (a spatial idea borrowed from the great English architect of the late 19th Century, Edwin Lutyens) leads to the kitchen.

Sitting in the living room at PSD's Arrowhead Point.
A view of the open kitchen and dining spaces.
Almost all rooms (including bathrooms) have stunning water and horizon views.

Almost all rooms (including bathrooms) have stunning water and horizon views.

In addition to the interior spaces, the screened-in porch, raised terrace, and infinity-edge pool take advantage of the exceptional site. The character of the front and back of the house is different but occurs in dynamic balance, befitting the nature of a street-side for welcoming entry and an ocean-side for outdoor living and connection to the spectacular seascape.

The ocean-facing side of the house includes long expanses of windows to maximize experience of the view from both first and second floors. An ornamental louver accentuates the horizontal stretch.
A bay window occurs by carving into the façade, rather than projecting out from it.
An infinity-edge pool and terrace are at the back of the house.

As Seen In...


PSD At Home Cape Cod Fall18
At Home on Cape Cod

A House with Many Faces, by Scott Lajoie, Fall/Winter 2018.