For a client interested in both “fitting in” and making a unique statement on their highly visible boulevard-side, bluff-top, harbor-front site, Windy Brae proposes a Shingle Style for today—incorporating a taut skin over a contained plan shape akin to minimalism but bursting, with the use of disparate historical forms, into an iconic object at the roofline. A gambrel gable end, a stair tower, an entry pavilion, and a linear dormered extension are all flush across the front—implied more than fully expressed, and jostling for primacy yet never descending into compositional chaos. On both the street and harbor facades, order is maintained by localized symmetries, balance between horizontal and vertical, and studied juxtapositions using elements at all scales from small to large.
|Scope of Work||Architecture, Construction|
|Finished Space Above Grade||5,083|
|Photography||Brian Vanden Brink|
The home’s actual text sign, “Windy Brae,” is smaller, not as powerful from a passing car, but located to still give the words prominence in the overall composition. Quirky and playful but still classically inspired, the hybrid/mannerist whole is grand but not formal, complex but not complicated, balanced into a happy truce between exuberance and calm. The living spaces are traditionally and efficiently arranged on the first floor and sleeping spaces on the second.
A screened in porch projects off one end to provide it with three exposures to light, air, and view. Under the porch, where the grade at the house dips to its lowest point, a semi-circular arch creates a “grotto” for walkout from the space within. Above the porch, a hipped gambrel shaped roof with large overhangs invokes forward motion toward the mouth of the harbor and open ocean beyond.